2012年10月19日 星期五

The artist :: Simon Go


Go Man Ching, Simon graduated from the School of Design at Hong Kong Polytechnic University in 1989.He was a fine-art photography and has been an investigative photo reporter for Hong Kong newspapers over 10 years.He also is the project director of Hulu Culture, an organization devoted to preserving indigenous culture through community awareness.

His artworks, aim at reflecting the cultural characteristics or social issue in Hong Kong by the photo image. His works are largely influenced by his photojournalist experience.His photos focus on the lower-class citizens. His works ''Cage-people'' (1995),was exhibited in Hong Kong Arts Centre and also presented in the tour exhibitions of Contemporary Asian Art by Anderson Gallery, School of Arts, Viriginal Commonwealth University in U.S.A.At the same time, he also joined the exhibition of microsm of Hong Kong Metropolitan in France.Other exhibitions included ''Poverty in Urban Poor'' (1997), and''Orchestration-Hong Kong Old Shops'' (2007).He also published books,called''Hong Kong Apothecary: A Visual History through Chinese Medicine Packaging'' (2001) and ''Hong Kong Old Shops'' (2008).He was awarded the Hong Kong Print Awards in 2001.

As he said, '' I love Hong Kong and I am proud to be a Hong Kong person.''


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About Hulu Culture

Hulu Culture (文化葫蘆) is a Hong Kong non-profit organisation which was established in 2004 dedicated to protecting Hong Kong traditional culture and heritage.

Hulu Culture was found by Simon Go 吳文正, who grew up in Kowloon City, where old groceries and aged shops fostered nostalgia. Besides photography, he is also dedicated to recording Hong Kong people's livelihood through interviewing. His wife Iman Fok 霍天雯, who has been a social worker for 13 years, also made her mind to join Hulu Culture as the chief executive to serve culture preservation.

From: Wiki 
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Here are some of the artworks:

Cageman with Cat (1996)

Demonstration  (1997)

Picture Before Handover No.16 (1997)

Poors in Shamshuipo (1997)

Tai Kwok Tsui No.2 (1995)

......and more to go ...





2012年10月13日 星期六

卡夫卡與銀杏葉


彷彿一條秋日的小徑:在還沒來得及把它清掃乾淨之前,便又蓋滿了落葉。

                                                                                                                 —卡夫卡


我不知道這個比喻中的本體是什麼,大概是什麼也有可能,只需要投入個人主觀情感。這是我第一次看卡夫卡的寓言集中,最深深感動我的一句。

全因為我在自我探索、了解、尋覓的過程中,終於慢慢地確定,在未來的人生,我應該要面對,甚至決定要走下去的方向。而在這種不是每個人都自願去做的事上,我經常遇到的,就是卡夫卡所說的這種情況。

這又讓我想起有一次在座談會中聽到小思老師分享的一段經歷,她說:以前在日本留學的時候,大約在十月左右,大學大道兩旁的銀杏樹就會漸漸枯謝。只是幾天的光景,大道上舖滿了,一片的鮮黃,猶如地氊一樣。在她單純地用語言描述時,整幅美麗的風景清楚可見地映在腦海中。然後她說:「我從那時候一直保留著的銀杏葉,是我求學時期的一種浪漫。」

現代的銀杏被取用到藥材的領域,作用健腦保健食品的一種重要元素。這樣我又禁不住作了一個聯想:假如卡夫卡所說的「落葉」是銀杏葉的話,我又應如何處理它們呢?

因思考而產生的種種煩困、擔憂、焦慮,我總是靜靜地任由它們躺在小徑上,看著它們美麗的結束生命。有時候,我很想用一把大火,將它們去燒盡,裊裊上升的輕煙,乘著葉子的靈魂,又回到起點,添加我所需的養份。

但有更多的時候,我還是想保留它們,即使小徑已逐漸變黃。



2012年10月11日 星期四

絲

腦袋瓜裡養了隻蜘蛛

日日夜夜在吐絲

默默地      左爬右攀

纖幼的手伸進隙縫

留下毒汁    甜甜    味覺麻掉

白線佈滿空間

連空氣也被捕獲了

太多太多太多太多......

還有誰能逃得掉?